Hollywoodonomics: how Harry Potter and The Order of the Phoenix “lost” $167M – Boing Boing

Good post from Cory Doctorow, looking at the economics of one of the Harry Potter films that was apparently in the red despite grossing over $1B. He makes an interesting point that we should be dubious about how much money media companies claim to lose to piracy if this is how they account for expenditure, much of which will have gone to other parts of the Warner’s empire:

Last summer, Deadline released this balance-sheet (“participation statement”) detailing the alleged financial state of the corporate entity struck to run the Warner Bros movie “Harry Potter and The Order of the Phoenix.” The movie, which had grossed nearly $1B at the time, was nevertheless running $167M in the red. The losses are largely attributable to to prints and advertising/marketing — and, as many commenters on the original post point out, a major recipient of that marketing budget would have been Warner’s itself, in the guise of its other media divisions. Another culprit is high interest fees, though the film didn’t have outside financing, so Deadline speculates that the loan note was also held by Warner’s.

…I think this is also a great example of why all financial numbers released by the entertainment industry should be treated as fiction until proven otherwise. Especially piracy “loss” figures, alleged contributions to national GDP, and job creation numbers.

via Hollywoodonomics: how Harry Potter and The Order of the Phoenix “lost” $167M – Boing Boing.

Harry Potter is nearing the end … so what next for Warner Bros? | Film | guardian.co.uk

This is a useful article for anyone considering movie franchises, with a particular focus on the Harry Potter series, what made them successful and what the future holds for Warners.

At some point, Warner Bros president Alan Horn resisted the urge to interfere heavily with the production process, and as a result, the Potter movies developed a distinct tone, and have remained popular.

Leaving the producer and director alone sounds easy, but in the high stakes game of film production it takes remarkable guts. Distributors invest enormous amounts of money in movies, and they often want to minimise the risks involved by including marketable elements and obviously appealing story points. This kind of film-making by committee is the product of institutional anxiety, and it can ruin mainstream films – look at Fox’s Spider-Man 3. Over the last 10 years, Warner Bros has adopted the bold commercial strategy of handing creative control of major franchises over to visionary film-makers.

via Harry Potter is nearing the end … so what next for Warner Bros? | Film | guardian.co.uk.

Miss Bimbo: The new computer game where girls order breast implants, do crash diets and find billionaire boyfriends | Mail Online

Miss Bimbo: The new computer game where girls order breast implants, do crash diets and find billionaire boyfriends | Mail Online.

Outcry from parents at the online Miss Bimbo game, with its messages to young girls about looks, attitudes & lifestyles.

Is Disney Princess Culture Bad for Our Daughters?

Is Disney Princess Culture Bad for Our Daughters?.

Great for the topical debate of the moment: are brands over-sexualising young children too early on? Links in well with David Cameron’s latest policy on this topic. (See earlier posts) . Check out the great title of the book mentioned: “Cinderella ate my daughter…”!!

The impact of Twitter on TV shows | Film | guardian.co.uk

This Guardian article looks at the way social media is replacing the ‘water cooler effect’ as a way of judging the popularity of a TV programme.

Not so very long ago television producers and film-makers were thrilled if their projects had the “water cooler effect” – that is to say the show, the programme or the film became a topic of conversation or chatter among people in offices, bars or the home.

Nowadays the conversations with the most clout are increasingly taking place among social network communities gathering online to take the “water cooler effect” into the twittersphere and on to the many pages of Facebook. A programme that is trending on Twitter is increasingly a currency of success or failure. Do enough people “like” your show on Facebook? Well, if not, then why not? And will your programme be a recommended “must watch” on the growing number of social network-style online television guides, such as the one offered on Freeview.

via The impact of Twitter on TV shows | Film | guardian.co.uk.